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Belinda Smaill proposes an original approach to documentary studies, examining how emotions such as pleasure, hope, pain, empathy, nostalgia or disgust are integral both to the representation of selfhood in documentary, and to the way documentaries circulate in the public sphere.
Published by: Palgrave Macmillan
Publication Date: 2010-01-01
Format: Paperback
ISBN-13: 9781349314911
DOI: 10.1057/9780230251113
Dimensions: 216cm x140cm
Pages: 221