In this book, over 40 contributors collectively tune in to how sound-and its absence-can function as a source of power that enables isolation, control and harm, as well as connection, healing and resistance.

Sound and Detention explores soundscapes in places, processes and systems of confinement in order to better understand experiences of imprisonment and to imagine alternatives to the carceral state. Bringing together over 40 contributors from five continents, the book tunes in to some of the manifold effects associated with the presence and absence of sound and music in prisons and places of detention: from isolation, harm and control, to connection, healing and resistance.

Scholarly texts feature alongside poetry, dialogue, memoir and experimental creative writing, as well as a diverse collection of audio productions on the book's accompanying website. This plurality of form mediates the voices of artists, activists, thinkers and practitioners – some themselves currently or formerly incarcerated. Through deep engagement with the sonic realm and with questions of power, the contributors explore what it might mean to listen nearby – making space to hold distinct perspectives and positionalities in respectful simultaneity – while also amplifying resonances between sound, listening and broader questions of epistemic and social justice.

Lucy Cathcart Frödén is Postdoctoral Research Fellow at the University of Oslo, Norway. Her practice-based PhD at the University of Glasgow explored how creative collaboration can foster mutual solidarity. Her published work spans criminology, artistic research, sound studies and political science.

Kate Herrity is Research Fellow in Punishment at Kings College, University of Cambridge, UK. A criminologist, her work seeks to unsettle boundaries between fields and ideas with a focus on music, sound and critical listening. Her monograph Sound, Order and Survival in Prison (2024) drew on aural ethnography in a local men's prison.

Áine Mangaoang is Associate Professor in Popular Music at the Department of Musicology, University of Oslo. Her books include Dangerous Mediations: Pop Music in a Philippine Prison Video (Bloomsbury, 2019) and Made in Ireland: Studies in Popular Music (2020).