This book offers a compelling examination of cinematic architecture, focusing on the portrayal of modern and late-modern architecture in Hollywood cinema post-1980. It investigates the persistent trend of "vilifying" modernism, where sleek, modern designs are often linked with oppressive or nightmarish settings, particularly in films featuring negative male characters. Through a detailed analysis of seven key films, including Sleeping with the Enemy and Die Hard, the book explores how modern architecture is used to symbolize and facilitate villainy, while entrapping female characters. Key concepts include the role of production design in shaping narrative and character, the interplay between architecture and gender, and the historical context of modernism in cinema. The book also contrasts these themes with Alfred Hitchcock's North by Northwest, offering a unique perspective on the evolution of architectural symbolism in film. By examining the mise-en-scène and editing, the author provides a nuanced understanding of how architecture influences cinematic storytelling. This book is essential for scholars of film studies, architecture, and cultural history, as well as anyone interested in the intersection of design and narrative. It offers a fresh perspective on the cultural implications of architectural representation in Hollywood, making it a valuable resource for academics and practitioners alike.

Maria Andronikou holds a BA in History of Art from Birkbeck, University of London, an MA in Visual Culture from Middlesex University and an MResearch in Humanities and Cultural Studies from the London Consortium, University of London. She also holds a PhD from the School of Architecture at the National Technical University of Athens, where she is currently pursuing postdoctoral research on film, architecture, and space. She teaches history of art and architecture at Stavrakos Film School in Athens. She is co-editor of a forthcoming CILECT anthology on teaching production design in the 21st century.