{"product_id":"9781839026614","title":"Laura Mulvey Feminist Legacies","description":"\u003ch1\u003eLaura Mulvey\u003c\/h1\u003e\u003ch2\u003eFeminist Legacies\u003c\/h2\u003e\u003ch3\u003eKimberly Lamm | Anna Backman Rogers\u003c\/h3\u003e\u003cdiv\u003e\u003cb\u003ePerforming Arts \/ Film \/ General\u003c\/b\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv\u003e\u003cp\u003e\u003cb\u003eLaura Mulvey's importance and influence as a feminist filmmaker and theorist are explored in depth with critical essays by scholars, new conversations with filmmakers and thinkers, and previously unpublished writings by Mulvey herself.\u003c\/b\u003e \u003cbr\u003e\u003cbr\u003eWith the publication of her influential 1975 essay, \u003ci\u003e'Visual Pleasure and Narrative Cinema'\u003c\/i\u003e, film theorist Laura Mulvey became a key figure in the women's liberation movement of the 1970s, imagining and affirming feminist ways of seeing. Taking an interdisciplinary approach, \u003ci\u003eLaura Mulvey: Feminist Legacies\u003c\/i\u003e looks beyond Mulvey's contributions to the feminist seventies, and the assumption of its political limitations. Instead, by connecting her roles as film director, theorist, writer, and activist\u003ci\u003e,\u003c\/i\u003e established and emerging scholars re-emphasize the radical intent of Mulvey's theoretical and practical interventions. In doing so, they assert that her oeuvre articulates a sensibility and mode of inquiry that has been formative for feminist interventions into visual culture around the globe.\u003cbr\u003e\u003cbr\u003eIncluding previously unpublished examples of her writing, along with new conversations with Martine Beugnet, Sheila Rowbotham, Yvonne Rainer, and Adeena Mey, this collection illuminates the histories that have shaped Mulvey's contributions to feminist film, art, thought, and politics. By tracing how Mulvey's work is a vital part of the feminist concerns of the present, the book makes it clear that not only are Mulvey's investigations into feminist visual culture ongoing, they also anticipate and impact scholarly directions in sensation, affect, materiality, race, and technology that are playing out within contemporary feminist debates.\u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp\u003e\u003cb\u003eKimberly Lamm\u003c\/b\u003e is Associate Professor of Gender, Sexuality \u0026amp; Feminist Studies at Duke University, USA. She is author of \u003ci\u003eAddressing the Other Woman: Textual Correspondences in Feminist Art and Writing\u003c\/i\u003e (2018).\u003cbr\u003e\u003cbr\u003e\u003cb\u003eAnna Backman Rogers\u003c\/b\u003e is Professor of Aesthetics, Culture and Feminist Theory at the University of Gothenburg, Sweden. Her previous publications include \u003ci\u003eAmerican Independent Cinema: Rites of Passage and The Crisis-Image \u003c\/i\u003e(2015), \u003ci\u003eSofia Coppola: The Politics of Visual Pleasure \u003c\/i\u003e(2019), \u003ci\u003eStill Life: Notes on Barbara Loden's Wanda\u003c\/i\u003e (2020), and \u003ci\u003ePicnic at Hanging Rock\u003c\/i\u003e (BFI Film Classics, 2022). She is also the co-editor of three books on feminism and visual culture with Laura Mulvey and Boel Ulfsdotter respectively. She is the founder and editor-in-chief of \u003ci\u003eMAI: FEMINISM AND VISUAL CULTURE.\u003c\/i\u003e\u003cbr\u003e\u003cbr\u003e\u003cb\u003eLaura Mulvey\u003c\/b\u003e is Professor of Film and Media Studies at Birkbeck College, University of London, UK. She is the author of \u003ci\u003eFetishism and Curiosity\u003c\/i\u003e (1996), \u003ci\u003eDeath Twenty-four Times a Second: Stillness and the Moving Image\u003c\/i\u003e (2006), and \u003ci\u003eVisual and Other Pleasures \u003c\/i\u003e(2nd edition, 2010).\u003c\/p\u003e\u003c\/div\u003e\u003cbr\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003ePublication Date: \u003c\/td\u003e\n\u003ctd\u003e10 June 2027\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePublisher: \u003c\/td\u003e\n\u003ctd\u003eBloomsbury Academic\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eImprint: \u003c\/td\u003e\n\u003ctd\u003eBritish Film Institute\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN-13: \u003c\/td\u003e\n\u003ctd\u003e9781839026614\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat: \u003c\/td\u003e\n\u003ctd\u003eHardback\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePage Count: \u003c\/td\u003e\n\u003ctd\u003e448\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight (oz): \u003c\/td\u003e\n\u003ctd\u003e16.0\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Bloomsbury Academic","offers":[{"title":"Default Title","offer_id":51515363164300,"sku":"9781839026614","price":81.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0710\/9545\/1788\/files\/getimage_5874e29e-0a2c-4eed-9c3e-8b06e204d95e.jpg?v=1784692892","url":"https:\/\/fh90cf-fv.myshopify.com\/products\/9781839026614","provider":"Late Knight Books and Services, LLC","version":"1.0","type":"link"}