{"product_id":"9781666902976","title":"Music, Sound, and Documentary Film in the Global South","description":"\u003ch3\u003eExtreme Sounds Studies: Global Socio-Cultural Explorations\u003c\/h3\u003e\u003ch1\u003eMusic, Sound, and Documentary Film in the Global South\u003c\/h1\u003e\u003ch3\u003eAndre Bagoo | Miki Brunou | Lucas Izquierdo | Rajesh James | Damascus Kafumbe | Rounak Maiti | Daniel Nevárez Araújo | Malavika P. Pillai | Yovanna Pineda | Aleksander Sedzielarz | Anna Stirr | Bhakta Syangtan | Nelson Varas-Díaz | Michael Newell Witte | Christopher L. Ballengee\u003c\/h3\u003e\u003cdiv\u003e\u003cb\u003eMusic \/ History \u0026amp; Criticism\u003c\/b\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv\u003eMusic, Sound, and Documentary Film in the Global South, edited by Christopher L. Ballengee, represents an important step toward thinking about the production and analysis of the soundscapes of documentary film, all while exploring a range of social, cultural, technological, and theoretical questions relevant to current trends in Global South studies. Written by a diverse set of authors, including filmmakers, academics, and cultural critics, the ten essays in this book provide fresh evaluations of the place of music and sound in documentary films outside the European-American milieu. On the whole, the authors illuminate how the invention of documentary film was at first a product of the colonialist project. Yet over time, access to filmmaking technologies led to the creation of documentary films relevant for local communities and national identities. In this sense, documentary film in the Global South might be broadly defined as a mode of personally or politically mediated storytelling that, by one route or another, has become a useful and recognizable means of memorializing traumatic histories and critiquing everyday lived experience. As the essays in this volume attest, close readings of documentary soundscapes provide fresh perspectives on ways of hearing and ways of being heard in the Global South.\u003c\/div\u003e\u003cdiv\u003e\u003cp\u003eChristopher L. Ballengee is an ethnomusicologist based in Poland, where he works as an academic editor and English teacher. He is director of the feature-length documentary film Sweet Tassa: Music of the Indian Caribbean Diaspora (2019) and author of numerous articles on music in Trinidad and Tobago.\u003cbr\u003eCover image: Richard Williams\u003c\/p\u003e\u003c\/div\u003e\u003cbr\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003ePublication Date: \u003c\/td\u003e\n\u003ctd\u003e20 August 2026\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePublisher: \u003c\/td\u003e\n\u003ctd\u003eBloomsbury Academic\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eImprint: \u003c\/td\u003e\n\u003ctd\u003eLexington Books\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN-13: \u003c\/td\u003e\n\u003ctd\u003e9781666902976\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat: \u003c\/td\u003e\n\u003ctd\u003ePaperback softback\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePage Count: \u003c\/td\u003e\n\u003ctd\u003e194\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight (oz): \u003c\/td\u003e\n\u003ctd\u003e17.76\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Bloomsbury Academic","offers":[{"title":"Default Title","offer_id":51515389182092,"sku":"9781666902976","price":35.96,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0710\/9545\/1788\/files\/getimage_db72e127-528d-4439-b23e-be02698ed5ae.jpg?v=1784693408","url":"https:\/\/fh90cf-fv.myshopify.com\/products\/9781666902976","provider":"Late Knight Books and Services, LLC","version":"1.0","type":"link"}