{"product_id":"9781405154116","title":"Thinking Through Cinema Film as Philosophy","description":"\u003ch1\u003eThinking Through Cinema\u003c\/h1\u003e\u003ch2\u003eFilm as Philosophy\u003c\/h2\u003e\u003ch3\u003eMurray Smith | Thomas E. Wartenberg\u003c\/h3\u003e\u003cdiv\u003e\u003cb\u003eSocial Science \/ Media Studies\u003c\/b\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv\u003e\n\u003cp\u003e\u003cb\u003eThe collection brings together a wide range of contributors, including both philosophers and film scholars. All of them address the question of whether philosophy can take the form of, or be articulated through, film.\u003c\/b\u003e\u003c\/p\u003e \u003cul\u003e \u003cli\u003eA new text for the growing field of philosophy of film, engaging with a variety of questions concerning the relationship between film and art, aesthetics and philosophy.\u003c\/li\u003e \u003cli\u003eExplores a wide variety of forms and periods of film, such as the avant-garde, continental film and popular American cinema, to present diverse answers to this question.\u003c\/li\u003e \u003cli\u003eDraws on a range of films, from the works of Hitchcock to \u003ci\u003eMission: Impossible\u003c\/i\u003e and \u003ci\u003eBeing John Malkovich\u003c\/i\u003e.\u003c\/li\u003e \u003c\/ul\u003e\n\u003c\/div\u003e\u003cdiv\u003e  \u003cb\u003eMurray Smith\u003c\/b\u003e is Professor of Film Studies at the University of Kent, UK. He is the author of \u003ci\u003eEngaging Characters: Fiction, Emotion, and the Cinema\u003c\/i\u003e (Oxford, 1995) and \u003ci\u003eTrainspotting\u003c\/i\u003e (British Film Institute, 2002), and the co-editor of \u003ci\u003eFilm Theory and Philosophy\u003c\/i\u003e (Oxford University Press, 1998) and \u003ci\u003eContemporary Hollywood Cinema\u003c\/i\u003e (Routledge, 1998). He has published widely on the relationship between ethics, emotion, and films, including essays in this journal and \u003ci\u003eCinema Journal\u003c\/i\u003e.\u003cbr\u003e \u003cp\u003e\u003cbr\u003e \u003c\/p\u003e \u003cp\u003e\u003cb\u003eThomas E. Wartenberg\u003c\/b\u003e is Chair of the Philosophy Department at Mount Holyoke College, where he also teaches in the Film Studies Program. He is the author of \u003ci\u003eUnlikely Couples: Movie Romance as Social Criticism\u003c\/i\u003e (Westview Press, 1999) and \u003ci\u003eThe Forms of Power: From Domination to Transformation\u003c\/i\u003e (Temple University Press, 1990), the editor of \u003ci\u003eThe Nature of Art\u003c\/i\u003e (Wadsworth Publishing, 2001), and the co-editor of \u003ci\u003ePhilosophy and Film\u003c\/i\u003e (Routledge, 1995)and \u003ci\u003eThe Philosophy of Film: Introductory Text and Readings\u003c\/i\u003e (Blackwell, 2005).\u003c\/p\u003e\n\u003c\/div\u003e\u003cbr\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003ePublication Date: \u003c\/td\u003e\n\u003ctd\u003e17 March 2006\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePublisher: \u003c\/td\u003e\n\u003ctd\u003eWiley\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eImprint: \u003c\/td\u003e\n\u003ctd\u003eWiley-Blackwell\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN-13: \u003c\/td\u003e\n\u003ctd\u003e9781405154116\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat: \u003c\/td\u003e\n\u003ctd\u003ePaperback \/ softback\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePage Count: \u003c\/td\u003e\n\u003ctd\u003e240\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight (oz): \u003c\/td\u003e\n\u003ctd\u003e14.4\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Wiley","offers":[{"title":"Default Title","offer_id":44314765492364,"sku":"9781405154116","price":54.86,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0710\/9545\/1788\/files\/9781405154116.jpg?v=1780176279","url":"https:\/\/fh90cf-fv.myshopify.com\/products\/9781405154116","provider":"Late Knight Books and Services, LLC","version":"1.0","type":"link"}