{"product_id":"9781350556997","title":"Surveillance Technologies in Performance and Migration","description":"\u003ch3\u003ePerformance and Digital Cultures\u003c\/h3\u003e\u003ch1\u003eSurveillance Technologies in Performance and Migration\u003c\/h1\u003e\u003ch3\u003eSidonie Carey-Green | Liam Jarvis | Karen Savage\u003c\/h3\u003e\u003cdiv\u003e\u003cb\u003ePerforming Arts \/ Theater \/ History \u0026amp; Criticism\u003c\/b\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv\u003e\u003cp\u003e\u003cb\u003eReflecting on the violent impact of digital border systems and surveillance practices that dehumanises migrating bodies, this book draws parallels to similar harmful acts of identity marking in relation to performance and migration.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003ePerformance practice creates an opportunity for bodies reduced to data at digital border zones to reject the numerical label forced upon them, making a more human and multifaceted counternarrative. Leading with the original concept of 'choreographing evidence', the book applies Practice as Research methods to performance works created with artist and refugee \u003ci\u003eTom Tegento: Uninvited \u003c\/i\u003e(2021) and \u003ci\u003eContagion \u003c\/i\u003e(2021). This work disrupts surveillance technologies and their violence towards bodies at borders as well as using them in alternative ways within performance practice. It considers how choreography which utilises both overt optical tracking technologies and GPS methods embedded in smart devices can enable othered bodies to redraw borders, reclaim narratives and resituate the self.\u003cbr\u003e\u003cbr\u003eAlongside this PaR work, the book analyses contemporary performance which uses the body and\/or technology to explore narratives of migration. It offers examples of UK and European works which critique the way migrating bodies are represented within performance, including \u003ci\u003eFlight Pattern \u003c\/i\u003e(2019), \u003ci\u003eA Place to Sit \u003c\/i\u003e(2021), The Walk \u003ci\u003e(Little Amal) \u003c\/i\u003e(2021) and \u003ci\u003eNow is\u003c\/i\u003e \u003ci\u003ethe Time to Say Nothing \u003c\/i\u003e(2019). The insights gained offer a richer understanding of the power dynamics at digital borders, how they function, how they can be resisted and how they are felt and lived.\u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003e\n\u003cb\u003eSidonie Carey-Green\u003c\/b\u003e is Research Associate at Royal Central School of Speech and Drama, UK. She is a dance filmmaker and practitioner-researcher based in the UK with more than 8 years of experience in facilitation, filmmaking and choreographic projects.\u003c\/div\u003e\u003cbr\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003ePublication Date: \u003c\/td\u003e\n\u003ctd\u003e23 July 2026\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePublisher: \u003c\/td\u003e\n\u003ctd\u003eBloomsbury Academic\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eImprint: \u003c\/td\u003e\n\u003ctd\u003eMethuen Drama\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN-13: \u003c\/td\u003e\n\u003ctd\u003e9781350556997\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat: \u003c\/td\u003e\n\u003ctd\u003eHardback\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePage Count: \u003c\/td\u003e\n\u003ctd\u003e144\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight (oz): \u003c\/td\u003e\n\u003ctd\u003e17.76\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Bloomsbury Academic","offers":[{"title":"Default Title","offer_id":51223589486732,"sku":"9781350556997","price":61.2,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0710\/9545\/1788\/files\/getimage_b042509d-ac87-41f2-b718-9c80c8ca3293.jpg?v=1783078215","url":"https:\/\/fh90cf-fv.myshopify.com\/products\/9781350556997","provider":"Late Knight Books and Services, LLC","version":"1.0","type":"link"}