{"product_id":"9781350434288","title":"Posthumanist Approaches to a Critique of Political Economy Dissident Practices","description":"\u003ch3\u003ePosthumanism in Practice\u003c\/h3\u003e\u003ch1\u003ePosthumanist Approaches to a Critique of Political Economy\u003c\/h1\u003e\u003ch2\u003eDissident Practices\u003c\/h2\u003e\u003ch3\u003eLisa Moravec | Matthew Hayler | Carmen Lael Hines | Danielle Sands | Christine Daigle\u003c\/h3\u003e\u003cdiv\u003e\u003cb\u003ePhilosophy \/ Political\u003c\/b\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv\u003e\u003cp\u003e\u003cb\u003eUsing critical and poetic practice-as-research techniques, this transdisciplinary open access book explores the potential of posthumanist thinking for critiquing the mechanisms of twenty-first century political economy.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003e The five sections of the book explore topics that put posthumanist forms of thinking, applied as academic and artistic practices, in conversation with: the politics of neoliberalism; social discrimination; ecological concerns; digital governmental control; and digital image production.\u003cbr\u003e\u003cbr\u003e\u003ci\u003eThe ebook editions of this book are available open access under a CC BY 4.0 licence on bloomsburycollections.com. Open access was funded by FWF Austrian Science Fund.\u003c\/i\u003e\u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003e\u003cp\u003e\u003cb\u003eLisa Moravec\u003c\/b\u003e is an art historian-performance scholar, and occasional art critic and curator. She works as senior postdoc in the Art Theory and Cultural Studies department at the Academy of Fine Arts Vienna, where she leads the Austrian Science Fund project (Habilitation) “The Performance of Critique: AI, Bodily Intelligence, and Posthumanist Aesthetics”. Publications include \u003ci\u003eDressaged Animality: Human and Animal Actors in Contemporary Performance \u003c\/i\u003e(2024); co-ed. ex. cat. \u003ci\u003eSuddenly Begin in Splendour: Rose English\u003c\/i\u003e (2024); peer-reviewed articles, essays, and art criticism in art magazines.\u003cbr\u003e\u003cbr\u003e\u003cb\u003eCarmen Lael Hines\u003c\/b\u003e is a curator, writer and researcher examining the way culture is socially and digitally produced. She holds a curatorial position at The Ryder Projects (Madrid), is visiting lecturer at the CuratorLab Konstfak University of Arts, Crafts and Design Stockholm, and a PhD candidate at the Academy of Fine Arts, Vienna, Austria.\u003c\/p\u003e\u003c\/div\u003e\u003cbr\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003ePublication Date: \u003c\/td\u003e\n\u003ctd\u003e29 April 2027\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePublisher: \u003c\/td\u003e\n\u003ctd\u003eBloomsbury Academic\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eImprint: \u003c\/td\u003e\n\u003ctd\u003eBloomsbury Academic\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN-13: \u003c\/td\u003e\n\u003ctd\u003e9781350434288\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat: \u003c\/td\u003e\n\u003ctd\u003eHardback\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePage Count: \u003c\/td\u003e\n\u003ctd\u003e240\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight (oz): \u003c\/td\u003e\n\u003ctd\u003e16.0\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Bloomsbury Academic","offers":[{"title":"Default Title","offer_id":51331918495884,"sku":"9781350434288","price":103.5,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0710\/9545\/1788\/files\/getimage_bf409cf3-6126-45b1-993d-38d333006597.jpg?v=1783600105","url":"https:\/\/fh90cf-fv.myshopify.com\/products\/9781350434288","provider":"Late Knight Books and Services, LLC","version":"1.0","type":"link"}