{"product_id":"9781350433991","title":"Invisible Ink Feminism and Identity in Contemporary Chinese Art","description":"\u003ch1\u003eInvisible Ink\u003c\/h1\u003e\u003ch2\u003eFeminism and Identity in Contemporary Chinese Art\u003c\/h2\u003e\u003ch3\u003eLuise Guest\u003c\/h3\u003e\u003cdiv\u003e\u003cb\u003eArt \/ Asian \/ Chinese\u003c\/b\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv\u003e\u003cp\u003e\u003cb\u003eWhat does it mean to be a woman artist – or a feminist artist – in China today?\u003c\/b\u003e \u003cb\u003eAnalyzing how Chinese women artists have reinvented traditional forms of ink and brush painting, \u003ci\u003eInvisible Ink\u003c\/i\u003e shows how the use of ink in their work becomes a tool of gender and art historical subversion in contemporary Chinese art.\u003c\/b\u003e\u003cbr\u003e\u003cbr\u003eThe book explores how the work of Bingyi, Ma Yanling, Tao Aimin, Xiao Lu and Xie Rong invoke contemporary manifestations of the traditional Chinese form of ink and brush painting to explore themes of the embodied, gendered experience of Chinese identity, including: motherhood and daughterhood; the exercise of state control over fertility in the implementation of the One Child Policy; and the experience of menopause in a society that prizes youth and beauty.\u003cbr\u003e\u003cbr\u003eEach chapter examines one artist, analysing carefully selected key works and drawing on interviews with the artists themselves. It positions the artists as intervening, not only in historically exclusive, elitist literati traditions, but also in contemporary art discourses in which their contributions have been similarly marginalised. It explores the ambivalent views of the artists towards (Western) feminism and positions their work as counter-hegemonic expressions of a specifically Chinese experience of patriarchy.\u003cbr\u003e\u003cbr\u003eAddressing an understudied aspect of contemporary Chinese art, this book powerfully illuminates the material culture of ink and brush painting through a transcultural, intersectional feminist lens, revealing the ways in which the form bridges Chinese history and the present day.\u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003e\n\u003cb\u003eLuise Guest\u003c\/b\u003e is an independent researcher, writer and curator based in Sydney, Australia. She is the author of \u003ci\u003eHalf the Sky: Conversations with Women Artists in China\u003c\/i\u003e (2016) and has written for many journals and art magazines including \u003ci\u003eAustralian and New Zealand Journal of Art\u003c\/i\u003e and \u003ci\u003eJournal of Chinese Contemporary Art\u003c\/i\u003e.\u003c\/div\u003e\u003cbr\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003ePublication Date: \u003c\/td\u003e\n\u003ctd\u003e22 July 2027\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePublisher: \u003c\/td\u003e\n\u003ctd\u003eBloomsbury Academic\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eImprint: \u003c\/td\u003e\n\u003ctd\u003eBloomsbury Visual Arts\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN-13: \u003c\/td\u003e\n\u003ctd\u003e9781350433991\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat: \u003c\/td\u003e\n\u003ctd\u003ePaperback softback\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePage Count: \u003c\/td\u003e\n\u003ctd\u003e216\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight (oz): \u003c\/td\u003e\n\u003ctd\u003e16.0\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Bloomsbury Academic","offers":[{"title":"Default Title","offer_id":51944769978508,"sku":"9781350433991","price":35.96,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0710\/9545\/1788\/files\/getimage_9ab5e352-bee9-4f7c-b88c-f97cbe361752.jpg?v=1786036219","url":"https:\/\/fh90cf-fv.myshopify.com\/products\/9781350433991","provider":"Late Knight Books and Services, LLC","version":"1.0","type":"link"}