{"product_id":"9781350182899","title":"Robert Pippin and Film Politics, Ethics, and Psychology after Modernism","description":"\u003ch3\u003eFilm Thinks\u003c\/h3\u003e\u003ch1\u003eRobert Pippin and Film\u003c\/h1\u003e\u003ch2\u003ePolitics, Ethics, and Psychology after Modernism\u003c\/h2\u003e\u003ch3\u003eDominic Lash | Lúcia Nagib | Tiago De Luca\u003c\/h3\u003e\u003cdiv\u003e\u003cb\u003ePerforming Arts \/ Film \/ History \u0026amp; Criticism\u003c\/b\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv\u003e\u003cp\u003eRobert Pippin (1948- ) is a major figure in contemporary philosophy, having published influential work on thinkers including Kant, Hegel, and Nietzsche. He is also an original thinker about – and critic of – film who has written books and numerous articles on canonical subjects such as the Western, Film Noir, and Hitchcock's \u003ci\u003eVertigo\u003c\/i\u003e. \u003cbr\u003e\u003cbr\u003eIn \u003ci\u003eRobert Pippin and Film\u003c\/i\u003e, Dominic Lash demonstrates the ways that film has been crucial to Pippin's thought on important philosophical topics such as political psychology, ethics, and self-knowledge. He also explores the implications of Pippin's methodological commitments to clear language and to maintaining close contact with the details of the films in question. In so doing, Lash brings Pippin's work on film to a wider audience and contributes to current debates both within film studies and beyond. This includes those concerning the relationships between film and philosophy, criticism and aesthetics, and individual subjectivity and political consciousness.\u003cbr\u003e\u003cbr\u003eLash focuses on Pippin's major works on film – \u003ci\u003eHollywood Westerns and American Myth\u003c\/i\u003e (2010), \u003ci\u003eFatalism in American Film Noir\u003c\/i\u003e (2012), \u003ci\u003eThe Philosophical Hitchcock\u003c\/i\u003e (2017), and \u003ci\u003eFilmed Thought\u003c\/i\u003e (2020) as well as his many shorter writings on film.\u003c\/p\u003e\u003c\/div\u003e\u003cdiv\u003e\n\u003cb\u003eDominic Lash\u003c\/b\u003e is Associate Teacher in the Department of Film at the University of Bristol, UK. He is the author of \u003ci\u003eThe Cinema of Disorientation: Inviting Confusions\u003c\/i\u003e (2020) and his work has been published in journals such as \u003ci\u003eScreen\u003c\/i\u003e, \u003ci\u003eCinergie \u003c\/i\u003eand \u003ci\u003eMovie\u003c\/i\u003e.\u003c\/div\u003e\u003cbr\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003ePublication Date: \u003c\/td\u003e\n\u003ctd\u003e10 March 2022\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePublisher: \u003c\/td\u003e\n\u003ctd\u003eBloomsbury Academic\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eImprint: \u003c\/td\u003e\n\u003ctd\u003eBloomsbury Academic\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN-13: \u003c\/td\u003e\n\u003ctd\u003e9781350182899\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat: \u003c\/td\u003e\n\u003ctd\u003eHardback\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePage Count: \u003c\/td\u003e\n\u003ctd\u003e280\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight (oz): \u003c\/td\u003e\n\u003ctd\u003e16.8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Bloomsbury Academic","offers":[{"title":"Default Title","offer_id":51333186388108,"sku":"9781350182899","price":117.0,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0710\/9545\/1788\/files\/getimage_e7b213f2-d1ba-4b00-ab1d-2224fd820e47.jpg?v=1783608994","url":"https:\/\/fh90cf-fv.myshopify.com\/products\/9781350182899","provider":"Late Knight Books and Services, LLC","version":"1.0","type":"link"}