{"product_id":"9781118412763","title":"A Companion to Russian Cinema","description":"\u003ch3\u003eWiley Blackwell Companions to National Cinemas\u003c\/h3\u003e\u003ch1\u003eA Companion to Russian Cinema\u003c\/h1\u003e\u003ch3\u003eBirgit Beumers\u003c\/h3\u003e\u003cdiv\u003e\u003cb\u003ePerforming Arts \/ Film \/ History \u0026amp; Criticism\u003c\/b\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv\u003e\n\u003ci\u003eA Companion to Russian Cinema\u003c\/i\u003e provides an exhaustive and carefully organised guide to the cinema of pre-Revolutionary Russia, of the Soviet era, as well as post-Soviet Russian cinema, edited by one of the most established and knowledgeable scholars in Russian cinema studies. \u003cbr\u003e \u003cul\u003e \u003cli\u003eThe most up-to-date and thorough coverage of Russian, Soviet and post-Soviet cinema, which also effectively fills gaps in the existing scholarship in the field\u003c\/li\u003e \u003cli\u003eThis is the first volume on Russian cinema to explore specifically the history of movie theatres, studios, and educational institutions\u003c\/li\u003e \u003cli\u003eThe editor is one of the most established and knowledgeable scholars in Russian cinema studies, and contributions come from leading experts in the field of Russian Studies, Film Studies and Visual Culture\u003c\/li\u003e \u003cli\u003eChapters consider the arts of scriptwriting, sound, production design, costumes and cinematography\u003c\/li\u003e \u003cli\u003eProvides five portraits of key figures in Soviet and Russia film history, whose works have been somewhat neglected\u003c\/li\u003e \u003c\/ul\u003e\n\u003c\/div\u003e\u003cdiv\u003e \u003cb\u003eBirgit Beumers\u003c\/b\u003e is Professor of Film Studies at Aberystwyth University (UK). She specialises in Russian culture, especially cinema and theatre. Her most recent publications include \u003ci\u003eA History of Russian Cinema\u003c\/i\u003e (2009) and \u003ci\u003ePerforming Violence\u003c\/i\u003e (with Mark Lipovetsky, 2009); she has edited \u003ci\u003eDirectory of World Cinema: Russia\u003c\/i\u003e (2010; 2014), \u003ci\u003eThe Cinema of Alexander Sokurov\u003c\/i\u003e (with N. Condee, 2011), \u003ci\u003eRussia’s New Fin de Siècle\u003c\/i\u003e (2013), and \u003ci\u003eCinema in Central Asia: Rewriting Cultural Histories\u003c\/i\u003e (with M. Rouland and G. Abikeyeva, 2013). She is editor of \u003ci\u003eKinoKultura\u003c\/i\u003e and of \u003ci\u003eStudies in Russian and Soviet Cinema\u003c\/i\u003e.\u003c\/div\u003e\u003cbr\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003ePublication Date: \u003c\/td\u003e\n\u003ctd\u003e12 July 2016\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePublisher: \u003c\/td\u003e\n\u003ctd\u003eWiley\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eImprint: \u003c\/td\u003e\n\u003ctd\u003eWiley-Blackwell\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN-13: \u003c\/td\u003e\n\u003ctd\u003e9781118412763\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat: \u003c\/td\u003e\n\u003ctd\u003eHardback\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePage Count: \u003c\/td\u003e\n\u003ctd\u003e672\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight (oz): \u003c\/td\u003e\n\u003ctd\u003e44.8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Wiley","offers":[{"title":"Default Title","offer_id":44315731886220,"sku":"9781118412763","price":203.36,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0710\/9545\/1788\/files\/9781118412763.jpg?v=1780143185","url":"https:\/\/fh90cf-fv.myshopify.com\/products\/9781118412763","provider":"Late Knight Books and Services, LLC","version":"1.0","type":"link"}