{"title":"Sheet Music","description":"","products":[{"product_id":"9783032012470","title":"International Perspectives on Aging","description":"\u003ch1\u003eInternational Perspectives on Aging\u003c\/h1\u003e \u003ch2\u003eFung, C. Victor; Mito, Hiromichi\u003c\/h2\u003e \u003cp\u003e\u003c\/p\u003e\u003cp\u003eThe purpose of this book is to address older adults’ musical group activities and their relation to quality of life in Japan, situated on a crossroad between deep Eastern cultural traditions and broad contemporary innovations and Western influences. This is the first book that offers both insider and outsider perspectives on older adults’ music participation in Japan. It is the result of a collaborative effort of a team of academics in Japan led by a Fulbright researcher from the United States, who resided and worked on the project in Japan for six months. The collaboration continued for a few years beyond the Fulbright residency period.\u003c\/p\u003e\n\u003cp\u003eThe book consists of 10 chapters in three parts. The first part includes an introductory chapter that sets the stage with strong cultural traditions in the contemporary ambience for older adults’ music participation. Part two contains studies of seven diverse cases jointly conducted by native Japanese researchers and a researcher with Chinese-American background. The majority of the researchers received training in the UK and the US. This allows each study with built-in perspectives from within and outside of Japan and with deep Asian, Japanese, and Western insights. These case studies are set in rural areas (Kojima, Nishio, and Uonuma), mid-size cities (Miyazaki and Sendai), world class metropolises (Nagoya and Tokyo), and suburban areas (Odaka and Seto). Three of the case studies include non-musical groups in comparison with the musical groups. Part three contains two chapters. One is a synthesis of the case studies in the seven locations, identifying the main factors that make older adults’ music participation positive and impactful to their quality of life. The final chapter includes implications relevant to older adults’ music participation in support of their quality of life. 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It models how adaptation and synchronization shape neural responses to music, revealing insights unattainable through traditional brain localization theories. By applying complex systems theory, it shifts the focus from isolated brain regions to dynamic network interactions, providing a holistic and predictive framework with relevance across a broad spectrum of natural sciences. Ideal for researchers across musicology, psychology, neuroscience, as well as complexity and computational science, it opens new paths for understanding the brain’s response to music through scientific precision and cross-disciplinary integration.\u003c\/p\u003e \u003ch3\u003eDetails\u003c\/h3\u003e \u003cp\u003ePublished by: Springer\u003c\/p\u003e \u003cp\u003ePublication Date: 2025-08-14\u003c\/p\u003e \u003cp\u003eFormat: Hardcover\u003c\/p\u003e \u003cp\u003eISBN-13: 9783031970023\u003c\/p\u003e \u003cp\u003eDOI: 10.1007\/978-3-031-97003-0\u003c\/p\u003e \u003cp\u003eDimensions: 235cm x155cm\u003c\/p\u003e \u003cp\u003ePages: 412\u003c\/p\u003e ","brand":"Springer Nature Switzerland","offers":[{"title":"Default Title","offer_id":44309408579724,"sku":"9783031970023","price":179.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0710\/9545\/1788\/files\/9783031970023.jpg?v=1775826397"},{"product_id":"9783031878640","title":"Palgrave Studies in Creativity and Culture: A Cultural Affective-Semiotic Perspective on Creativity","description":"\u003ch1\u003ePalgrave Studies in Creativity and Culture: A Cultural Affective-Semiotic Perspective on Creativity\u003c\/h1\u003e \u003ch2\u003eMonzo, Diogo\u003c\/h2\u003e \u003cp\u003e\u003c\/p\u003e\u003cp class=\"MsoNormal\"\u003eThis book presents a new model to visualize and understand the creative process in free improvisation: the Interactive Dimensions of the Creative Flow (IDCF). 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By investigating how punk is made, for whom, and in opposition to what, this book takes the reader on a journey through the lesser-known aspects of the punk subculture.\u003c\/p\u003e \u003ch3\u003eDetails\u003c\/h3\u003e \u003cp\u003ePublished by: Palgrave Macmillan\u003c\/p\u003e \u003cp\u003ePublication Date: 2016-02-06\u003c\/p\u003e \u003cp\u003eFormat: Paperback\u003c\/p\u003e \u003cp\u003eISBN-13: 9781349695140\u003c\/p\u003e \u003cp\u003eDOI: 10.1057\/9781137485922\u003c\/p\u003e \u003cp\u003eDimensions: 216cm x140cm\u003c\/p\u003e \u003cp\u003ePages: 219\u003c\/p\u003e ","brand":"Palgrave Macmillan US","offers":[{"title":"Default Title","offer_id":44309505081484,"sku":"9781349695140","price":40.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0710\/9545\/1788\/files\/9781349695140.jpg?v=1774530335"},{"product_id":"9783031959981","title":"Numanities - Arts and Humanities in Progress","description":"\u003ch1\u003eNumanities - Arts and Humanities in Progress\u003c\/h1\u003e \u003ch2\u003eOjala, Juha; Bauters, Merja; Díaz-Kommonen, Lily\u003c\/h2\u003e \u003cp\u003e\u003c\/p\u003e\u003cp class=\"MsoNormal\"\u003e\u003cstrong\u003e\u003cspan style=\"font-size: 12.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;\"\u003eMarketing text:  \u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eThis edited volume includes contributions from scholars worldwide addressing how feeling, skill, and knowledge are present in the processes of signification, the subject’s life, environment, and culture. 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The book is primarily of interest to scholars and students working in psychology, philosophy, communication, cultural studies, the arts – and semiotics.\u003c\/p\u003e \u003ch3\u003eDetails\u003c\/h3\u003e \u003cp\u003ePublished by: Springer\u003c\/p\u003e \u003cp\u003ePublication Date: 2025-10-02\u003c\/p\u003e \u003cp\u003eFormat: Hardcover\u003c\/p\u003e \u003cp\u003eISBN-13: 9783031959981\u003c\/p\u003e \u003cp\u003eDOI: 10.1007\/978-3-031-95999-8\u003c\/p\u003e \u003cp\u003eDimensions: 235cm x155cm\u003c\/p\u003e \u003cp\u003ePages: 375\u003c\/p\u003e ","brand":"Springer Nature Switzerland","offers":[{"title":"Default Title","offer_id":44309562392716,"sku":"9783031959981","price":161.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0710\/9545\/1788\/files\/9783031959981.jpg?v=1776884250"},{"product_id":"9783031875069","title":"Palgrave Games in Context","description":"\u003ch1\u003ePalgrave Games in Context\u003c\/h1\u003e \u003ch2\u003eLópez Gómez, Lidia\u003c\/h2\u003e \u003cp\u003e\u003c\/p\u003e\u003cp\u003e\u003cspan lang=\"EN-US\" style=\"font-size: 11.0pt; font-family: 'Calibri','sans-serif'; mso-ascii-theme-font: minor-latin; mso-fareast-font-family: 'Times New Roman'; mso-hansi-theme-font: minor-latin; mso-bidi-theme-font: minor-latin; color: #1f3864; mso-themecolor: accent1; mso-themeshade: 128; mso-ansi-language: EN-US; mso-fareast-language: EN-US; mso-bidi-language: AR-SA;\"\u003eThis book offers a comprehensive overview of how video game sound and music represent cultures, spaces and personal identifications. Focusing on the concept of identity, the volume brings together issues as diverse as belonging to an ethnic or cultural group, identifying with certain sexualities or being able to deduce the historical or geographical context of a game. This volume explores whether the musical and sound identities linked to video games are based on clichés and stereotyped arrangements that span cultures and times. It includes case studies that analyse the mechanisms used by game producers, composers and sound designers to “characterise” and represent different identities to broad audiences of potential players, as well as how the players perceive these sonic inputs. The book is organized into three main sections, covering topics as the representation of historical periods, musical stereotypes of cultures from different geographic locations, representations of identity in fictional spaces and sonic depictions gender.\u003c\/span\u003e\u003c\/p\u003e \u003ch3\u003eDetails\u003c\/h3\u003e \u003cp\u003ePublished by: Palgrave Macmillan\u003c\/p\u003e \u003cp\u003ePublication Date: 2025-08-02\u003c\/p\u003e \u003cp\u003eFormat: Hardcover\u003c\/p\u003e \u003cp\u003eISBN-13: 9783031875069\u003c\/p\u003e \u003cp\u003eDOI: 10.1007\/978-3-031-87507-6\u003c\/p\u003e \u003cp\u003eDimensions: 210cm x148cm\u003c\/p\u003e \u003cp\u003ePages: 290\u003c\/p\u003e ","brand":"Springer Nature Switzerland","offers":[{"title":"Default Title","offer_id":44309627502732,"sku":"9783031875069","price":152.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0710\/9545\/1788\/files\/9783031875069_fbf45dee-3695-42da-8d93-6225763ccf43.jpg?v=1775062393"},{"product_id":"9781349959389","title":"Lady Gaga and the Sociology of Fame: The Rise of a Pop Star in an Age of Celebrity","description":"\u003ch1\u003eLady Gaga and the Sociology of Fame: The Rise of a Pop Star in an Age of Celebrity\u003c\/h1\u003e \u003ch2\u003eDeflem, Mathieu\u003c\/h2\u003e \u003cp\u003eThis book investigates the stardom of Lady Gaga within a cultural-sociological framework. Resisting a reductionist perspective of fame as a commodity, Mathieu Deflem offers an empirical examination of the social conditions that informed Lady Gaga’s rise to fame. The book delves into topics such as the marketing of Lady Gaga; the legal issues that have dogged her career; the media; her audience; her activism; issues of sex, gender, and sexuality; and Lady Gaga’s unique artistry. By training a spotlight on this singular pop icon, Lady Gaga and the Sociology of Fame invites readers to consider the nature of stardom in an age of celebrity.\u003c\/p\u003e \u003ch3\u003eDetails\u003c\/h3\u003e \u003cp\u003ePublished by: Palgrave Macmillan\u003c\/p\u003e \u003cp\u003ePublication Date: 2019-03-01\u003c\/p\u003e \u003cp\u003eFormat: Paperback\u003c\/p\u003e \u003cp\u003eISBN-13: 9781349959389\u003c\/p\u003e \u003cp\u003eDOI: 10.1057\/978-1-137-58468-7\u003c\/p\u003e \u003cp\u003eDimensions: 210cm x148cm\u003c\/p\u003e \u003cp\u003ePages: 245\u003c\/p\u003e ","brand":"Palgrave Macmillan US","offers":[{"title":"Default Title","offer_id":44309679440012,"sku":"9781349959389","price":26.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0710\/9545\/1788\/files\/9781349959389.jpg?v=1776036229"},{"product_id":"9783030445867","title":"Getting Signed: Record Contracts, Musicians, and Power in Society","description":"\u003ch1\u003eGetting Signed: Record Contracts, Musicians, and Power in Society\u003c\/h1\u003e \u003ch2\u003eArditi, David\u003c\/h2\u003e \u003cp\u003e\u003c\/p\u003e\u003cp\u003eRecord contracts have been the goal of aspiring musicians, but are they still important in the era of SoundCloud? Musicians in the United States still seem to think so, flocking to auditions for \u003ci\u003eThe Voice \u003c\/i\u003eand \u003ci\u003eIdol \u003c\/i\u003ebrands or paying to perform at record label showcases in the hopes of landing a deal. The belief that signing a record contract will almost infallibly lead to some measure of success— the “ideology of getting signed,” as Arditi defines it—is alive and well.\u003cbr\u003e \u003cbr\u003e Though streaming, social media, and viral content have turned the recording industry upside down in one sense, the record contract and its mythos still persist. \u003ci\u003eGetting Signed\u003c\/i\u003e provides a critical analysis of musicians’ contract aspirations as a cultural phenomenon that reproduces modes of power and economic exploitation, no matter how radical the route to contract. 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Including numerous examples, figures, and exercises, this book is suited for students, lecturers, and researchers working in audio engineering, signal processing, computer science, digital humanities, and musicology.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe book consists of eight chapters. The first two cover foundations of music representations and the Fourier transform—concepts used throughout the book. Each of the subsequent chapters starts with a general description of a concrete music processing task and then discusses—in a mathematically rigorous way—essential techniques and algorithms applicable to a wide range of analysis, classification, and retrieval problems. 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Including numerous examples, figures, and exercises, this book is suited for students, lecturers, and researchers working in audio engineering, signal processing, computer science, digital humanities, and musicology.\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eThe book consists of eight chapters. The first two cover foundations of music representations and the Fourier transform—concepts used throughout the book. Each of the subsequent chapters starts with a general description of a concrete music processing task and then discusses—in a mathematically rigorous way—essential techniques and algorithms applicable to a wide range of analysis, classification, and retrieval problems. 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Um die Komposition in ihrer Janusköpfigkeit zu erschließen, bedarf es eines hermeneutischen Schlüssels, der zwischen dem Leben und den Lebensumständen des Komponisten auf der einen Seite und dem Werk auf der anderen Seite vermittelt. Als ein solcher Schlüssel erweist sich der Kondolenzbrief des Theologen Dietrich Bonhoeffers an die Witwe des Komponisten kurz nach dessen Selbstmord. Aus der «Synchronizität» zwischen dem Inhalt des Briefes und den verschiedenen Textschichtungen des Totentanz' op. 12. 2 leitet der Autor einen Kosmos von paradoxen Aussagen her, die gleichwohl nicht verdunkeln, sondern erhellen, indem sie zu Erkenntnissen führen, die jenseits der Sprache liegen und – obwohl vermittelt durch diese – in den epistemologischen Bereich der Imagination vorstoßen. 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Even if you don’t read music, \u003ci\u003eBlues Guitar For Dummies\u003c\/i\u003e lets you pick up the fundamentals and start jamming like your favorite blues artists.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eBlues Guitar for Dummies\u003c\/i\u003e covers the key aspects of blues guitar, showing you how to play scales, chords, progressions, riffs, solos, and more. This hands-on guide is packed with musical examples, chords charts, and photos that let you explore the genre and play the songs of all the great blues musicians. This accessible how-to book will give you the skills you need to:\u003c\/p\u003e \u003cul\u003e \u003cli\u003eChoose the right guitar, equipment, and strings\u003c\/li\u003e \u003cli\u003eHold, tune, and get situated with your guitar\u003c\/li\u003e \u003cli\u003ePlay barre chords and strum to the rhythm\u003c\/li\u003e \u003cli\u003eRecognize the structure of a blues song\u003c\/li\u003e \u003cli\u003eTackle musical riffs\u003c\/li\u003e \u003cli\u003eMaster melodies and solos\u003c\/li\u003e \u003cli\u003eMake your guitar sing, cry, and wail\u003c\/li\u003e \u003cli\u003eJam to any type of blues\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eAdditionally, the book comes with a website that shares audio samples of all the examples covered in the lessons. Go online to practice your riffs and chords and develop your style as a blues musician.\u003c\/p\u003e \u003cp\u003eOrder your copy of \u003ci\u003eBlues Guitar For Dummies\u003c\/i\u003e today and get ready to start shredding!\u003c\/p\u003e P.S. If you think this book seems familiar, you’re probably right. The Dummies team updated the cover and design to give the book a fresh feel, but the content is the same as the previous release of Blues Guitar For Dummies (9780470049204). The book you see here shouldn’t be considered a new or updated product. But if you’re in the mood to learn something new, check out some of our other books. We’re always writing about new topics!\u003c\/div\u003e\u003cdiv\u003e  \u003cp\u003e\u003cb\u003eJon Chappell\u003c\/b\u003e has jammed with countless blues musicians at Chicago's blues clubs. 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Brown\u003c\/h3\u003e\u003cdiv\u003e\u003cb\u003eTechnology \u0026amp; Engineering \/ Electronics \/ General\u003c\/b\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv\u003eHow can we engineer systems capable of \"cocktail party\" listening?  \u003cp\u003eHuman listeners are able to perceptually segregate one sound source from an acoustic mixture, such as a single voice from a mixture of other voices and music at a busy cocktail party. How can we engineer \"machine listening\" systems that achieve this perceptual feat?\u003c\/p\u003e \u003cp\u003eAlbert Bregman's book Auditory Scene Analysis, published in 1990, drew an analogy between the perception of auditory scenes and visual scenes, and described a coherent framework for understanding the perceptual organization of sound. His account has stimulated much interest in computational studies of hearing. Such studies are motivated in part by the demand for practical sound separation systems, which have many applications including noise-robust automatic speech recognition, hearing prostheses, and automatic music transcription. This emerging field has become known as computational auditory scene analysis (CASA).\u003c\/p\u003e \u003cp\u003eComputational Auditory Scene Analysis: Principles, Algorithms, and Applications provides a comprehensive and coherent account of the state of the art in CASA, in terms of the underlying principles, the algorithms and system architectures that are employed, and the potential applications of this exciting new technology. With a Foreword by Bregman, its chapters are written by leading researchers and cover a wide range of topics including:\u003c\/p\u003e \u003cul\u003e \u003cli\u003eEstimation of multiple fundamental frequencies\u003c\/li\u003e \u003cli\u003eFeature-based and model-based approaches to CASA\u003c\/li\u003e \u003cli\u003eSound separation based on spatial location\u003c\/li\u003e \u003cli\u003eProcessing for reverberant environments\u003c\/li\u003e \u003cli\u003eSegregation of speech and musical signals\u003c\/li\u003e \u003cli\u003eAutomatic speech recognition in noisy environments\u003c\/li\u003e \u003cli\u003eNeural and perceptual modeling of auditory organization\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eThe text is written at a level that will be accessible to graduate students and researchers from related science and engineering disciplines. The extensive bibliography accompanying each chapter will also make this book a valuable reference source. A web site accompanying the text, \u003ca href=\"http:\/\/www.casabook.org\/\"\u003ehttp:\/\/www.casabook.org\u003c\/a\u003e, features software tools and sound demonstrations.\u003c\/p\u003e\n\u003c\/div\u003e\u003cdiv\u003e  Editors \u003cb\u003eDeLIANG WANG\u003c\/b\u003e and \u003cb\u003eGUY J. BROWN\u003c\/b\u003e are well-known for their contributions to the development of CASA. Wang is a Professor in the Department of Computer Science and Engineering and the Center for Cognitive Science at The Ohio State University. He is an IEEE Fellow. Brown is a Senior Lecturer in the Department of Computer Science at the University of Sheffield, UK. \u003c\/div\u003e\u003cbr\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003ePublication Date: \u003c\/td\u003e\n\u003ctd\u003e29 September 2006\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePublisher: \u003c\/td\u003e\n\u003ctd\u003eWiley\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eImprint: \u003c\/td\u003e\n\u003ctd\u003eWiley-IEEE Press\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN-13: \u003c\/td\u003e\n\u003ctd\u003e9780471741091\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat: \u003c\/td\u003e\n\u003ctd\u003eHardback\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePage Count: \u003c\/td\u003e\n\u003ctd\u003e424\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight (oz): \u003c\/td\u003e\n\u003ctd\u003e25.44\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Wiley","offers":[{"title":"Default Title","offer_id":44310801350796,"sku":"9780471741091","price":138.56,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0710\/9545\/1788\/files\/9780471741091_2a89e4b6-38d5-4677-b851-8b326f2a81a5.jpg?v=1780111674"},{"product_id":"9781118705490","title":"Keyboard For Dummies","description":"\u003ch1\u003eKeyboard For Dummies\u003c\/h1\u003e \u003ch2\u003eKovarsky, Jerry\u003c\/h2\u003e \u003cp\u003e\u003cb\u003eThe easy way to get keyed up on the keyboard\u003c\/b\u003e \u003c\/p\u003e\u003cp\u003eWhere \u003ci\u003ePiano For Dummies\u003c\/i\u003e helps budding musicians to master the black-and-white musical keyboard, \u003ci\u003eKeyboard For Dummies\u003c\/i\u003e helps them understand the possibilities that unfold when those black-and-whites are connected to state-of-the-art music technology.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eKeyboard For Dummies\u003c\/i\u003e explains the ins-and-outs of modern keyboards and helps you get the most out of their capabilities. Key content coverage includes: an overview of the types of keyboards available today and how they differ from acoustic pianos; expert advice on choosing the right keyboard for your wants\/needs and how to shop and compare the various models; a close look at the types of sounds an electronic keyboard offers and how to achieve them; step-by-step instruction on how to use keyboards anywhere using external speakers, amps, home stereos, computers, and tablets; guidance on how to use keyboard software and applications to get the most out of keyboard technology; and much more.\u003c\/p\u003e \u003cul\u003e \u003cli\u003eA multimedia component for this title will be hosted at Dummies.com and includes companion audio tracks that demonstrate techniques and sounds found in the book\u003c\/li\u003e \u003cli\u003eStep-by-step instructions make learning keyboard easy and fun\u003c\/li\u003e \u003cli\u003eIntroduces you to the musical possibilities of the keyboard\u003c\/li\u003e \u003c\/ul\u003e \u003cp\u003eIf you're new to the keyboard or looking to take your skills to the next level, \u003ci\u003eKeyboard For Dummies\u003c\/i\u003e is a thorough guide to the ins and outs of this popular instrument.\u003c\/p\u003e \u003ch3\u003eDetails\u003c\/h3\u003e \u003cp\u003ePublished by: For Dummies\u003c\/p\u003e \u003cp\u003ePublication Date: 2013-11-18\u003c\/p\u003e \u003cp\u003eFormat: Paperback\u003c\/p\u003e \u003cp\u003eISBN-13: 9781118705490\u003c\/p\u003e \u003cp\u003eDOI: \u003c\/p\u003e \u003cp\u003eDimensions: 228.6cm x185.4cm\u003c\/p\u003e \u003cp\u003ePages: 368.0\u003c\/p\u003e ","brand":"Wiley","offers":[{"title":"Default Title","offer_id":44310914171020,"sku":"9781118705490","price":26.99,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0710\/9545\/1788\/files\/9781118705490.jpg?v=1757544958"},{"product_id":"9780745608648","title":"Music and Cultural Theory","description":"\u003ch1\u003eMusic and Cultural Theory\u003c\/h1\u003e\u003ch3\u003eJohn Shepherd | Peter Wicke\u003c\/h3\u003e\u003cdiv\u003e\u003cb\u003eMusic \/ History \u0026amp; Criticism\u003c\/b\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv\u003e\n\u003cp\u003e\u003ci\u003e\u003cb\u003eMusic and Cultural Theory\u003c\/b\u003e\u003c\/i\u003e\u003c\/p\u003e \u003cp\u003eIn this book Shepherd and Wicke make a bold and original contribution to the understanding of music as a form of human expression. They argue that music is fundamental to social life. Music is not merely a form of leisure or entertainment: it is central to the very formation and reproduction of human societies.\u003c\/p\u003e \u003cp\u003eThe authors pursue this argument through a wide-ranging assessment of some of the major cultural theoretical contributions to understanding music. Theories of culture, linguistic theories, structuralist and post-structuralist theories and psychoanalytic theories of music are carefully explained and critically examined. The authors then develop their own account of music as a non-referential yet material form of human expression which embodies and conveys principles of symbolic structuring. They emphasize the human body as a principal site for the musical mediation of social and symbolic processes.\u003c\/p\u003e \u003cp\u003e\u003ci\u003eMusic and Cultural Theory\u003c\/i\u003e establishes new links between musicology and cultural studies, showing how each discipline can inform and enrich the other. It will be recommended reading for students and professionals in musicology, media and communication studies, cultural studies and the sociology of culture.\u003c\/p\u003e\n\u003c\/div\u003e\u003cdiv\u003e  \u003cp\u003e\u003cstrong\u003eJohn Shepherd\u003c\/strong\u003e is the Chancellor's Professor of Music and Sociology at Carleton University in Canada. Professor Shepherd was from 1991-1997 the founding Director of Carleton's School for Studies in Art and Culture. His research interests include the aesthetics of music, popular music studies, theory and method in musicology, cultural studies, and the sociology of music education. \u003c\/p\u003e\n\u003c\/div\u003e\u003cbr\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003ePublication Date: \u003c\/td\u003e\n\u003ctd\u003e15 August 1997\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePublisher: \u003c\/td\u003e\n\u003ctd\u003ePolity Press\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eImprint: \u003c\/td\u003e\n\u003ctd\u003ePolity\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN-13: \u003c\/td\u003e\n\u003ctd\u003e9780745608648\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat: \u003c\/td\u003e\n\u003ctd\u003ePaperback \/ softback\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePage Count: \u003c\/td\u003e\n\u003ctd\u003e240\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight (oz): \u003c\/td\u003e\n\u003ctd\u003e13.0\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Polity Press","offers":[{"title":"Default Title","offer_id":44310980460684,"sku":"9780745608648","price":26.06,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0710\/9545\/1788\/files\/9780745608648_674bfdd6-0219-408a-9d55-df500440927f.jpg?v=1780107438"},{"product_id":"9780470673652","title":"Popular Culture in American History","description":"\u003ch3\u003eWiley Blackwell Readers in American Social and Cultural History\u003c\/h3\u003e\u003ch1\u003ePopular Culture in American History\u003c\/h1\u003e\u003ch3\u003eJim Cullen\u003c\/h3\u003e\u003cdiv\u003e\u003cb\u003eHistory \/ United States \/ General\u003c\/b\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv\u003e\n\u003cp\u003eThe second edition of \u003ci\u003ePopular Culture in American History\u003c\/i\u003e updates the text for a contemporary readership and explores academic developments in this area of study over the last decade.\u003c\/p\u003e \u003cul\u003e \u003cli\u003eFully revised second edition with over 50 percent new material\u003c\/li\u003e \u003cli\u003eCompact and classroom-friendly format\u003c\/li\u003e \u003cli\u003eIncludes the best writing on popular culture from the 1970s onwards\u003c\/li\u003e \u003cli\u003eEssays examine pivotal moments, issues, and genres in American popular culture, from the ‘penny press’ to the Internet\u003c\/li\u003e \u003c\/ul\u003e\n\u003c\/div\u003e\u003cdiv\u003e  \u003cp\u003e\u003cb\u003eJim Cullen\u003c\/b\u003e is Chair of the high-profile Fieldston School in New York, and a book review editor for the History News Network. His published works include \u003ci\u003eThe Civil War Era: An Anthology of Sources\u003c\/i\u003e (with L. Cullen-Sizer, Wiley-Blackwell, 2005)\u003ci\u003e, Essaying the Past: How to Read, Write and Think About History, Second Edition\u003c\/i\u003e (Wiley-Blackwell, 2013), and \u003ci\u003eSensing the Past: Hollywood Stars and Historical Visions\u003c\/i\u003e (2013).\u003c\/p\u003e\n\u003c\/div\u003e\u003cbr\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003ePublication Date: \u003c\/td\u003e\n\u003ctd\u003e01 April 2013\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePublisher: \u003c\/td\u003e\n\u003ctd\u003eWiley\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eImprint: \u003c\/td\u003e\n\u003ctd\u003eWiley-Blackwell\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN-13: \u003c\/td\u003e\n\u003ctd\u003e9780470673652\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat: \u003c\/td\u003e\n\u003ctd\u003ePaperback \/ softback\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePage Count: \u003c\/td\u003e\n\u003ctd\u003e304\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight (oz): \u003c\/td\u003e\n\u003ctd\u003e13.6\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Wiley","offers":[{"title":"Default Title","offer_id":44311037411468,"sku":"9780470673652","price":47.66,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0710\/9545\/1788\/files\/9780470673652_e0ddc8e1-31a3-4097-923e-c8837ef21c06.jpg?v=1780206801"},{"product_id":"9781509553556","title":"House Concert","description":"\u003ch1\u003eHouse Concert\u003c\/h1\u003e\u003ch3\u003eIgor Levit | Florian Zinnecker | Shaun Whiteside\u003c\/h3\u003e\u003cdiv\u003e\u003cb\u003eMusic \/ History \u0026amp; Criticism\u003c\/b\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv\u003e\n\u003cp\u003eIgor Levit ranks among the greatest pianists of his generation, described by \u003ci\u003eThe New York Times\u003c\/i\u003e as ‘one of the essential artists of our time’. But his influence reaches far beyond music: he uses his public platform to speak out against racism, antisemitism and all forms of intolerance and prejudice. Convinced of the duty of the musician to remain an engaged citizen, he is recognized and admired for his willingness to take a stand on some of the great issues of our day, even though it has come at considerable personal cost. \u003c\/p\u003e \u003cp\u003eWhen the pandemic broke out and Levit was unable to give live concerts, he switched his piano recitals from concert halls to his living room and gained a huge international following. This book opens a window onto Levit’s life during the 2019–2020 concert season, charting the transition from his whirlwind life of back-to-back live concerts in packed concert halls to the eerie stillness of lockdown and the innovative series of house concerts livestreamed over Twitter. A year in which Levit spoke out against hate and received death threats in response. A year in which he found his voice and found himself – as an artist and as a person.\u003c\/p\u003e\n\u003c\/div\u003e\u003cdiv\u003e \u003cp\u003e\u003cb\u003eIgor Levit\u003c\/b\u003e was born in 1987 in Gorky, Russia (now Nizhny Novgorod) and moved to Germany with his family at the age of eight. He studied at the Hanover Academy of Music and was the youngest participant in the Arthur Rubinstein Competition in 2005, winning the silver prize. In spring 2019 he was appointed professor for piano at the Hanover University of Music, Theatre and Media. His highly-acclaimed recording of the 32 Beethoven Sonatas was awarded the Gramophone 2020 Artist of the Year as well as the Opus Klassik in 2020. He was Musical America’s Recording Artist of the Year 2020, and in November 2020 he was nominated for a Grammy in the category ‘Best Classical Instrumental Solo’.\u003c\/p\u003e \u003cp\u003e\u003cb\u003eFlorian Zinnecker\u003c\/b\u003e is a journalist and the deputy desk manager of \u003ci\u003e\u003ci\u003eDie Zeit\u003c\/i\u003e.\u003c\/i\u003e\u003c\/p\u003e\n\u003c\/div\u003e\u003cbr\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003ePublication Date: \u003c\/td\u003e\n\u003ctd\u003e17 January 2023\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePublisher: \u003c\/td\u003e\n\u003ctd\u003ePolity Press\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eImprint: \u003c\/td\u003e\n\u003ctd\u003ePolity\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN-13: \u003c\/td\u003e\n\u003ctd\u003e9781509553556\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat: \u003c\/td\u003e\n\u003ctd\u003eHardback\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePage Count: \u003c\/td\u003e\n\u003ctd\u003e224\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight (oz): \u003c\/td\u003e\n\u003ctd\u003e16.0\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Polity Press","offers":[{"title":"Default Title","offer_id":44311415324812,"sku":"9781509553556","price":13.46,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0710\/9545\/1788\/files\/9781509553556_f7f1ca5d-c061-4687-8768-dba37503e519.jpg?v=1780102875"},{"product_id":"9781509538089","title":"The New Music Kranichstein Lectures","description":"\u003ch1\u003eThe New Music\u003c\/h1\u003e\u003ch2\u003eKranichstein Lectures\u003c\/h2\u003e\u003ch3\u003eTheodor W. Adorno | Wieland Hoban | Klaus Reichert | Michael Michael\u003c\/h3\u003e\u003cdiv\u003e\u003cb\u003ePhilosophy \/ History \u0026amp; Surveys \/ General\u003c\/b\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv\u003e\n\u003cp\u003eA year after the end of the Second World War, the first International Summer Course for New Music took place in the Kranichstein Hunting Lodge, near the city of Darmstadt in Germany. The course, commonly referred to later as the Darmstadt course, was intended to familiarize young composers and musicians with the music that, only a few years earlier, had been denounced as degenerate by the Nazi regime, and it soon developed into one of the most important events in contemporary music.\u003c\/p\u003e \u003cp\u003eHaving returned to Germany in 1949 from exile in the United States, Adorno was a regular participant at Darmstadt from 1950 on. In 1955 he gave a series of lectures on the young Schoenberg, using the latter’s work to illustrate the relation between tradition and the avant-garde. Adorno’s three double-length lectures on the young Schoenberg, in which he spoke as a passionate advocate for the composer whom Boulez had declared dead, were his first at Darmstadt to be recorded on tape. The relation between tradition and the avant-garde was the leitmotif of the lectures that followed, which continued over the next decade. Adorno also dealt in detail with problems of composition in contemporary music, and he often accompanied his lectures with off-the-cuff musical improvisations. The five lecture courses he gave at Darmstadt between 1955 and 1966 were all recorded and subsequently transcribed, and they are published here for the first time in English.\u003c\/p\u003e \u003cp\u003eThis volume is a unique document on the theory and history of the New Music. It will be of great value to anyone interested in the work of Adorno and critical theory, in German intellectual and cultural history, and in the history of modern music.\u003c\/p\u003e\n\u003c\/div\u003e\u003cdiv\u003e \u003cb\u003eTheodor W. 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The history of pop-rock extends from the emergence of rock'n'roll in the 1950s to a variety of contemporary fashions and trends – rock, punk, soul, funk, techno, hip hop, indie, metal, pop and many more.\u003c\/p\u003e \u003cp\u003eThis book offers a highly original account of the emergence of pop-rock music as a global phenomenon in which Anglo-American and many other national and ethnic variants interact in complex ways.  Pop-rock is analysed as a prime instance of 'aesthetic cosmopolitanism' – that is, the gradual formation, in late modernity, of world culture as a single interconnected entity in which different social groupings around the world increasingly share common ground in their aesthetic perceptions, expressive forms and cultural practices.\u003c\/p\u003e \u003cp\u003eDrawing on a wide array of examples, this path-breaking book will be of great interest to students and scholars in cultural sociology, media and cultural studies as well as the study of popular music.\u003c\/p\u003e\n\u003c\/div\u003e\u003cdiv\u003e Motti Regev is professor of sociology at The Open University of Israel where he works on the sociology of culture and art and popular music studies.\u003c\/div\u003e\u003cbr\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003ePublication Date: \u003c\/td\u003e\n\u003ctd\u003e24 June 2013\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePublisher: \u003c\/td\u003e\n\u003ctd\u003ePolity Press\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eImprint: \u003c\/td\u003e\n\u003ctd\u003ePolity\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN-13: \u003c\/td\u003e\n\u003ctd\u003e9780745661728\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat: \u003c\/td\u003e\n\u003ctd\u003eHardback\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePage Count: \u003c\/td\u003e\n\u003ctd\u003e224\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight (oz): \u003c\/td\u003e\n\u003ctd\u003e16.32\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Polity Press","offers":[{"title":"Default Title","offer_id":44314402062476,"sku":"9780745661728","price":65.48,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0710\/9545\/1788\/files\/9780745661728_7a751f2f-4464-4b33-b293-318a5f644c65.jpg?v=1780201839"},{"product_id":"9780745661735","title":"Pop-Rock Music Aesthetic Cosmopolitanism in Late Modernity","description":"\u003ch1\u003ePop-Rock Music\u003c\/h1\u003e\u003ch2\u003eAesthetic Cosmopolitanism in Late Modernity\u003c\/h2\u003e\u003ch3\u003eMotti Regev\u003c\/h3\u003e\u003cdiv\u003e\u003cb\u003eMusic \/ Genres \u0026amp; Styles \/ Rock\u003c\/b\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv\u003e\n\u003cp\u003ePop music and rock music are often treated as separate genres but the distinction has always been blurred.  Motti Regev argues that pop-rock is best understood as a single musical form defined by the use of electric and electronic instruments, amplification and related techniques. 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Dadlez\u003c\/h3\u003e\u003cdiv\u003e\u003cb\u003ePhilosophy \/ Aesthetics\u003c\/b\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv\u003eA compelling exploration of the convergence of Jane Austen’s literary themes and characters with David Hume’s views on morality and human nature.  \u003cul\u003e \u003cli\u003eArgues that the normative perspectives endorsed in Jane Austen's novels are best characterized in terms of a Humean approach, and that the merits of Hume's account of ethical, aesthetic and epistemic virtue are vividly illustrated by Austen's writing.\u003c\/li\u003e \u003cli\u003eIllustrates how Hume and Austen complement one another, each providing a lens that allows us to expand and elaborate on the ideas of the other\u003c\/li\u003e \u003cli\u003eProposes that literature may serve as a thought experiment, articulating hypothetical cases which allow the reader to test her moral intuitions\u003c\/li\u003e \u003cli\u003eContributes to ongoing debates on the philosophy of literature, ethics, and emotion\u003c\/li\u003e \u003c\/ul\u003e\n\u003c\/div\u003e\u003cdiv\u003e \u003cb\u003eE.M. 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Venerated as rock’s one true genius, Dylan is considered responsible for introducing a new range of topics and new lyrical complexity into popular music. Without Bob Dylan, rock critic Dave Marsh once claimed, there would be no popular music as we understand it today. \u003cp\u003eAs such an exalted figure, Dylan has been the subject of countless books and intricate scholarship considering various dimensions of both the man and his music. This book places new emphasis on Dylan as a rock star. Whatever else Dylan is, he is a star – iconic, charismatic, legendary, enigmatic. No one else in popular music has maintained such star status for so long a period of time.\u003c\/p\u003e \u003cp\u003eShowing how theories of stardom can help us understand both Bob Dylan and the history of rock music, Lee Marshall provides new insight into how Dylan’s songs acquire meaning and affects his relationship with his fans, his critics and the recording industry. Marshall discusses Dylan’s emergence as a star in the folk revival (the “spokesman for a generation”) and the formative role that Dylan plays in creating a new type of music – rock – and a new type of star. Bringing the book right up to date, he also sheds new light on how Dylan’s later career has been shaped by his earlier star image and how Dylan repeatedly tried to throw off the limitations and responsibilities of his stardom.\u003cbr\u003e \u003c\/p\u003e \u003cp\u003eThe book concludes by considering the revival of Dylan over the past ten years and how Dylan’s stardom has developed in a way that contains, but is not overshadowed by, his achievements in the 1960s.\u003c\/p\u003e\n\u003c\/div\u003e\u003cdiv\u003e \u003cb\u003eLee Marshall\u003c\/b\u003e is Senior Lecturer in Sociology at the University of Bristol.\u003c\/div\u003e\u003cbr\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003ePublication Date: \u003c\/td\u003e\n\u003ctd\u003e24 September 2007\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePublisher: \u003c\/td\u003e\n\u003ctd\u003ePolity Press\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eImprint: \u003c\/td\u003e\n\u003ctd\u003ePolity\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN-13: \u003c\/td\u003e\n\u003ctd\u003e9780745636429\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat: \u003c\/td\u003e\n\u003ctd\u003ePaperback \/ softback\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePage Count: \u003c\/td\u003e\n\u003ctd\u003e300\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight (oz): \u003c\/td\u003e\n\u003ctd\u003e14.56\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Polity Press","offers":[{"title":"Default Title","offer_id":44314734624908,"sku":"9780745636429","price":13.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0710\/9545\/1788\/files\/9780745636429_e5d4f9f2-2e76-4db1-8021-5506242d4984.jpg?v=1780102040"},{"product_id":"9780764550805","title":"Blues For Dummies","description":"\u003ch1\u003eBlues For Dummies\u003c\/h1\u003e\u003ch3\u003eLonnie Brooks | Cub Koda | Wayne Baker Brooks | Dan Aykroyd\u003c\/h3\u003e\u003cdiv\u003e\u003cb\u003eMusic \/ Genres \u0026amp; Styles \/ Blues\u003c\/b\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv\u003eGet your mojo working as you take a musical trip from the Mississippi Delta to Chicago's gritty South Side and points beyond with Blues For Dummies, an insightful, toe-tappin', music lovers' guide to the blues. Popular blues guitarist Lonnie Brooks serves as your tour guide through the life and times of the blues, from the acoustic mystique of Robert Johnson and Son House to the urban blues men and women of today: John Lee Hooker, Robert Cray, B.B. King, Etta James, Koko Taylor, Stevie Ray Vaughan, and, of course, Brooks himself.\u003cbr\u003e\u003cbr\u003eBlues For Dummies travels from sad to glad, with stops along the way at heartache and despair, hope and joy, on the road to great music. Get hip to the different styles and eras of the blues; discover what makes the blues so blue; find out \"Who's Who\" among four generations of blues musicians; and make tracks to the best blues clubs on the planet with this great, easygoing reference.\u003c\/div\u003e\u003cdiv\u003e  Lonnie Brooks is a popular blues guitarist and recording artist, playing more than 150 shows annually around the world. He has been performing for more than 40 years and has played with some of the biggest names in music, including B.B. King, Les Paul, and James Brown.\u003cbr\u003e \u003cbr\u003e Cub Koda is a guitarist, music historian, and regular columnist for Discoveries magazine. He is also a contributing editor to the All Music Guide to the Blues. As the leader of Brownsville Station, Koda is also known as the writer of their biggest hit, Smokin' in the Boys Room.\u003cbr\u003e \u003cbr\u003e Wayne Baker Brooks is a Chicago-based blues songwriter and guitarist. He has played rhythm with the Lonnie Brooks Band and lead guitar with his own band. He is the founder and president of the Blues Island Production Company.\u003c\/div\u003e\u003cbr\u003e\u003ctable\u003e\n\u003ctr\u003e\n\u003ctd\u003ePublication Date: \u003c\/td\u003e\n\u003ctd\u003e14 August 1998\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePublisher: \u003c\/td\u003e\n\u003ctd\u003eWiley\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eImprint: \u003c\/td\u003e\n\u003ctd\u003eFor Dummies\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eISBN-13: \u003c\/td\u003e\n\u003ctd\u003e9780764550805\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eFormat: \u003c\/td\u003e\n\u003ctd\u003ePaperback \/ softback\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003ePage Count: \u003c\/td\u003e\n\u003ctd\u003e400\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003ctr\u003e\n\u003ctd\u003eWeight (oz): \u003c\/td\u003e\n\u003ctd\u003e24.8\u003c\/td\u003e\n\u003c\/tr\u003e\n\u003c\/table\u003e","brand":"Wiley","offers":[{"title":"Default Title","offer_id":44315225489548,"sku":"9780764550805","price":22.49,"currency_code":"USD","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0710\/9545\/1788\/files\/9780764550805_66b1d0c6-517f-4678-be8f-01984af07d00.jpg?v=1780100940"},{"product_id":"9780631217107","title":"Popular Culture Production and Consumption","description":"\u003ch3\u003eWiley Blackwell Readers in Sociology\u003c\/h3\u003e\u003ch1\u003ePopular Culture\u003c\/h1\u003e\u003ch2\u003eProduction and Consumption\u003c\/h2\u003e\u003ch3\u003eLee Harrington | Denise Bielby\u003c\/h3\u003e\u003cdiv\u003e\u003cb\u003eSocial Science \/ Sociology \/ General\u003c\/b\u003e\u003c\/div\u003e\u003cbr\u003e\u003cdiv\u003eThis is a rich collection of contemporary perspectives on how culture is produced and commodified using current examples from music, television, magazines, sports, and advertising. Incorporating a variety of theoretical frameworks, the book addresses, in addition, issues of social and cultural diversity in readings by key scholars that are accessible and provocative for both students and academics.\u003c\/div\u003e\u003cdiv\u003e  \u003cb\u003eC. Lee Harrington\u003c\/b\u003e is Associate Professor of Sociology and Affiliate of the Women's Studies program at Miami University of Ohio. Her articles have been published in several scholarly journals and she is the author, with Denise Bielby, of \u003ci\u003eSoap Fans: Pursuing Pleasure and Making Meaning in Everyday Life\u003c\/i\u003e (1995). Her current research interests include media audiences and death penalty cause lawyering.  \u003cp\u003e\u003cb\u003eDenise D. Bielby\u003c\/b\u003e is Professor of Sociology at the University of California, Santa Barbara. Her research focuses on the culture industries of television and film. 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